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Music Producer recommends 10 best Studio Headphones

Nov 20, 2020
Music Producer recommends 10 best Studio Headphones

If you are a Music Producer and looking to buy new headphones, there are multiple products on the market. And while investing in a good Studio Headphone, there are a couple of factors to consider like budget, frequency response, comfort, weight, and sound. One of the most important factors while purchasing a headphone is the Frequency response, the response of the system to inputs of different frequency, which is measured in Hertz(Hz). In the simplest terms, the frequency response is the ability of a device to handle the frequencies applied to it.  

Analyzing other key points like the sound leak, noise cancellation, build quality, compatibility with different devices, and sound quality, we have found the headphones that Music producers recommend. Here we bring you a list of headphones with an essential tip recommended by a Music Producer. 


1.Sennheiser HD 206

The frequency response of 21~18,000 Hz

Sennheiser HD 206 are the best entry-level headphones with rich and crisp bass response. They are also lightweight and comfortable to wear. 

Pros

  • Value for money
  • Great Reproduction of Mid frequencies

Cons

  • Long cable, which can be uncomfortable
  • Reproduction of low frequencies is comparatively disappointing.


2.Maono AU-MH 501

Frequency response: 50~20000Hz

Maono is lesser-known, but it is a great brand. Maono AU-MH 501 headphones have a comfortable Ergonomic design for long hours. They are lightweight and deliver crisp high tones. 

Pros

  • Affordable 
  • Great Frequency Reproduction

Cons

  •  Bit Uncomfortable for long usage


3.AKG K72

Frequency response: 16~20,000 Hz

The headphones with the extended low-frequency response and at the same time, precisely balanced high-frequency response. 

Pros

  • Comfortable
  • Affordable Pricing

Cons

  • Highly Colorized Mid Frequencies


4.AKG K92

Frequency response: 16~20 kHz

At a reasonable value, AKG K92 headphones are comfortably light.

Pros

  • Affordable
  • Wider stereo image

Cons

  • Uncomfortable for a long run


5.Audio Technica M20x

Frequency response: 15~20,000 Hz

Audio Technica M20x is light and robust. 

Pros

  • Affordable 
  • Good build quality

Cons

  • A bit uncomfortable due to rough cushion
  • Frequency reproduction of low frequency is not great.


6.Sennheiser HD 280 Pro

Frequency response: 8~25,000 Hz

It is one of the finest headphones, which are lightweight and the soft ear pads allow you to wear them for longer periods of time, comfortably. 

Pros

  • Flat frequency response
  • Noise cancellation

Cons

  • Not a good fit for smaller head
  • Unattractive design


7.Audio-Technica M 40x

Frequency response: 15-24,000 Hz

The earpads and headband material brings durability and comfort. These headphones are tuned flat for incredibly accurate sound monitoring across the entire frequency range. 

Pro

  • Detachable cable
  • Flat frequency response

Con

  • Uncomfortable ear cushioning
  • Colourised low frequency


8.Sony MDR 7506 

Frequency response: 10-20KHz

Sony MDR 7506 is one of the finest headphones Sony has ever made, but their availability is rare.

They are comfortable for the studio and your home, which are built with strong material keeping comfort in mind. 

Pros

  • Good frequency reproduction
  • clear and focused dynamics

Cons 

  • Uncomfortable for longer durations


9.Beyerdynamic DT770 PRO

Frequency response: 100-10KHz

These are the most comfortable monitoring headphones. 

Pros

  • Comfortable cushioning
  • Good frequency response

Cons

  • Bulky 


10.Audio-Technica ATH-M50x

Frequency response: 15-28,000 Hz

The large cushion padded cups wrap around your ears, which makes them comfortable while wearing for a longer duration.

Pros

  • Clear mid-frequency response
  • Detachable cable

Cons

  • Colourised low frequencies


Tip:

To calibrate your headphones, download Sonarworks. It is a software which is the solution for measuring the speakers and headphones as well as a sound processing engine for correcting the audio signal. The Sonar works SR standard sets the frequency response target to be completely neutral for speaker-based playback systems, i.e., a flat FR curve across all audible frequencies as perceived by the listener in the listening position.